Thoroughbreds Don't Cry (1937) - Judy Garland Mickey Rooney

Plot Summary - Horse racing melodrama/light musical, starring Mickey Rooney and Judy Garland. English teen Roger (Ronald Sinclair) heads for California with his grandfather Sir Peter Calverton (C. Aubrey Smith) to race their beloved prize horse "the Pookah" in the "American Cup". Roger sets out to recruit skilled, but cocky, jockey Timmie Donovan (Mickey Rooney) - known as a big "swellhead" - to ride the Pookah in the race. Roger heads into Mother Ralph's boarding house for jockeys, gets invited to dinner by niece Cricket West (Judy Garland), a teen with a great singing voice and ambitions to become a singer and actress (she's a bit of a show-off). After Roger gets poked around by all for his short pants and British accent, a couple of black eyes later and Timmie ends up agreeing to ride Roger's horse. They soon become good pals, but things start to go wrong when Timmie is tricked into believing his father is dying and in need of an expensive iron lung, and the only way to get the money for dad is to "throw a race". Dad is actually a professional gambler/bad man and not even ill, Timmy makes the Pookah lose in a preliminary race for America's Cup, then all seems lost when he ends up removed as a jockey and thrown off the course right before the big race. But luckily Roger has been taking jockey lessons from Timmy, and decides to go ahead and ride the Pookah in the race himself!

Review - A cute, light entertainment, the film boosted up by the star quality of Mickey Rooney and Judy Garland (she received top billing here, though I would have liked to have seen her with a bit more to do), plus a great cast of character actors (Sophie Tucker as Mother Ralph/Aunt Edie is quite amusing here). Ronald Sinclair is very good too and gives a nice, realistic quality in his performance as the young Englishman, including a scene with some very innocent flirtations between him and Judy's character. Many scenes in the movie are filmed on-location at the brand new Santa Anita racetrack. Wonderful Judy shines, as usual, singing "Got a Pair of New Shoes" several times during the film, including the opening titles. Mickey Rooney energetically steals the film, as usual. Rating - 8/10 stars

A Neckin' Party (1937) - Comedy Short Film Review

Plot Summary and Review - "A Vitaphone Novelty". Short starring Edgar Bergen and Charlie McCarthy, who play themselves. At a New York nightclub, Edgar meets up with Charlie, who's dressed to the nines after just inheriting $200, then after some brief comedy patter, they agree to fly to a ranch "below the border" where they are soon dressed and performing like a couple of singing cowboys and meeting up with a VERY flirtatious Mexican dancing girl named Lolita. Though she's agreed not to "look at any man", Lolita starts flirting with Charlie, prompting her extremely jealous boyfriend to invite Charlie to go on a "necking party" - with not exactly the intent that Charlie thinks. While Edgar is off chatting up Elmer "Mortimer" Snerd (more comedy patter) Charlie is getting a noose put around his neck! One reel short with mild humor throughout. No laughs out loud for me, but cute. Rating - 7.5/10 stars

Party Wire (1935) Film Review - Jean Arthur

Plot Summary - POSSIBLE SPOILERS AHEAD - - Melodrama all set in the small town of Rockridge, where town gossips get their fix on the shared telephone line party wire everyone shares, eavesdropping on neighbor's conversations and spreading rumours like wildfire. Excitement hits town in the form of Matthew "Matt" Putnam (Victor Jory), back in town after seven years absence, with lots of money - and single! And apparently the only catch in town as all the young women - with mothers pushing behind them - are after him. But Matt visits his old pal Will Oliver (Charles aka Charley Grapewin), a man who likes to get drunk on his homemade applejack, and reunites (and sparks) with Will's now grown-up pretty daughter Marge (Jean Arthur). Marge's friend Roy is interested in her too, they both work on the church funds bookkeeping together (for some reason). But when Matt and Marge are seen going about town together, the gossip leads defeated Roy to decide to leave town - coincidentally, the same night some money has gone missing from the church accounts. Misunderstandings on the telephone leads the town gossips and old biddies to the mistaken notion that Roy was skipping town because he had gotten Marge pregnant! Many troubles loom for Marge, starting with her being fired from her job at the bank. All this leads her hero Matt to try and come to her rescue - by getting even with the whole town for doing her wrong.

Review - This is a real cute film, very entertaining. Okay, that Matt isn't exactly my ideal looks-wise, but he does seem like a pretty decent chap - of course, he actually has no interest in staying on in the tiny town (founded by his Gramps) until he meets Marge - and why not, she's Jean Arthur after all. As Matt's bedridden, ornery aunt tells him - "he's had his education, his fling, and his foolishness - now it's time to settle down - in Rockridge." The scenes of the old lady gossips getting their kicks listening in on everyone's phone conversations are kind of amusing, actually. Lots of really good character actors fill up this film, helping make this quite enjoyable. Of course, being the thirties, they never actually say the word pregnant or mention pregnancy - but we all get it anyway! Rating - 8.5/10 stars

Love on the Run (1936) Film Review - Clark Gable

Plot Summary - MGM romantic comedy about a reporter on the trail of a runaway bride (hm- doesn't that sound familiar?!). Mike Anthony (Clark Gable), reporter for the New York Chronicle, is in London to cover the story of debutante Sally Parker (Joan Crawford) and her wedding to a Russian prince named Igor. But running into her as she's running away on her wedding day, Mike enters her hotel room, comforts her in her tears, and offers his help - the two run off together, disguised as a Baron and Baroness, steal their small plane and oddly manage to fly all the way to France though, apparently, Mike has never flown a plane before! Now Mike is after getting "the biggest exclusive story of the year" for his newspaper, as the two are on the run. Barney (Franchot Tone), a rival reporter and semi-chum of Mike's, is chasing after the two like a bloodhound to get his own story - and also in hot pursuit to catch them is the Baron and Baroness, actually phonies, spies who are after this map that was found by Mike and Sally in the plane. At one point, Mike and Sally end up hiding away spending the night in a huge palace run by a crazy caretaker who thinks they are ghosts (and actually has a pet invisible dog friend). Mike and Sally's obviously approaching romance sparks here, but when Sally finds out he is a reporter, she leaves him. More troubles to come as they are soon at the end of the guns of the evil Baron/Baroness couple (better known as Mr. and Mrs. Frankenstein).

Review - Okay, this film is sort of so-so with lots of stuff that doesn't really make that much sense - why is Mike so mean to rival reporter Barney, yet they are bunking together in the same hotel room at the beginning of the film? Why does Sally not even scream or wonder that much at a strange man entering her hotel room, even if he does look like Clark Gable? Of course, the plane flying sequence is pretty absurd - they can barely get the plane off the ground without killing a whole crowd of people but manage to fly to France, fearlessly, I might add! What is good in the film is three great stars of the golden age in one film - all doing a pretty good job of it too. Of course, Franchot Tone is one of my personal favorite actors from that era, though I would rather have seen him in the romantic lead than this sort of thankless role as Mike's object of tricks to get rid of him (locking him in the back of a truck, leaving him in the lurch with the bill unpaid in a French restaurant, tying and gagging him with the enemy in the next room, stuff like that). Saw this one before, but it just wasn't memorable enough for me to realize until halfway through the film. Similarities to "It Happened One Night (1934)". Rating - 6.5 to 7/10 stars

Forsaking All Others (1934) Film Review

Plot Summary - Three friends since childhood in a love triangle - Mary (Joan Crawford) has been in love with Dillon (Robert Montgomery) since they were kids, Jeff (Clark Gable) has been in love with Mary since they were kids. Jeff arrives back in town from Spain with plans to ask Mary to marry him, until he finds out it's the day before Mary's wedding to Dillon! Mary seems to see Jeff as a sort of pal/uncle and asks him to "give her away" (she also sits on his lap, her "favorite seat in town" - okay, what's that all about?). Oddly, Dill runs off that night with former girlfriend Connie, a bitch who arrives to seduce him and he inexplicably bites, leaving Mary at the alter! Whoa. She runs off to stay with a friend (Billie Burke) in the Adirondacks and is soon quite the sports gal. Mary and Jeff are invited some weeks later by Connie to attend a party being thrown by herself and new hubby Dillon. Mary decides to go and spit in their eye sort of speak, as she means to look on her ex-fiance as "last year's hat". Well, that fails - married man Dillon keeps calling her and they finally get together for a fun day in the country with hamburgers, bicycles, and hi-jinks - still in love. They end up having to spend the night in the Adirondacks house, but no funny stuff (you know what I mean, this is the thirties). Jeff pretty much has backed off, as Dillon and Mary begin their romance again - what's next for these three?!

Review - This is a cute film, boosted up by three top stars of the thirties. I like the clip in the opening credits where the three walk towards the camera - her in bride dress, the two men dolls in top hat and tails. I did watch this to see favorite Robert Montgomery - woo, though his character is sort of a charming cad (don't really like to see him like that). Pretty good, fairly predictable, typical thirties light romantic comedy. Rating - 7.5 to 8/10 stars

The Bride Comes Home (1936) Film Review - Cinecon 45 Screening

Plot Summary - POSSIBLE SPOILERS AHEAD - - Screwball comedy love triangle. Grown-up wealthy girl Jeannette (Claudette Colbert) has to go to work 'cause her daddy's out of money. Her friend Jack (Robert Young) has just inherited three and a half million dollars and decides to start up a magazine - "The Man" ("for the working man") - with his brooding bodyguard Cyrus (Fred MacMurray) - hired for the last two years to finish all the fights that Jack starts. With a major crush on attractive Jeannette, Jack hires her to be Cyrus' assistant on the magazine. Cyrus thinks of her as just a rich society girl taking a job on a lark - so he treats her rough by giving her time-waster idiot tasks to complete, like counting names in the phone book. When he finds out she actually needs the job to eat - he feels bad, but the damage is done - she hates him. Well, in the way of all filmland - since she hates him, you just know they'll end up a couple. And so it is - despite all their bickering, they soon declare their love for each other. With plans to be married the next afternoon, she arrives at his bachelor apartment in the morning to find it a big, cluttered up, dirty mess. While she's cleaning up, Cyrus arrives early with the Minister (who is on a very tight time schedule) - but she's all dirtied up in housecleaning attire, won't marry him until she gets cleaned up, and a huge fight breaks out cancelling the marriage plans. Friend Jack steps in to lay claim to his longtime love - and, catching her on the rebound, she is convinced into marrying him. Now follows a wild race, screwball finale - with Cyril and Jeannette's dad racing on motorcycle to get out-of-town and to the home of the Justice of the Peace before Jeannette ends up married to the wrong fellow. Luckily Jeannette and Jack are in the process of being married by the slowest, most long-winded Justice of the Peace on record.

Review - With Claudette Colbert in the lead, it would be hard for this to not be a pretty good film - especially when you add on Robert Young and Fred MacMurray as her co-stars. The film is a nicely done romantic comedy with a bit of the screwball to it - - it is, oddly, a rarely seen film. One thing I must say though, I grew up on Fred MacMurray and Robert Young as father figure types being a young sitcom fan who spent lots of time watching old shows like "Father Knows Best" and "My Three Sons" - so it's still kinda hard for me to see these guys as romantic lead figures! The Justice of the Peace is amusingly played by Edgar Kennedy - and yes, he does his famous slow-burn in this. Rating - 8/10 stars

Lover Come Back (1931) Film Review - Cinecon 45 Screening

Plot Summary - Precode sex romp. Tom (Jack Mulhall) is juggling two women - while dating Connie (Constance Cummings), the nice secretary who works at his office, he is secretly also seeing flirty Vivian (and Viv says to her overbearing mother after he leaves "In a week I'll have a ring on my finger - and another ring in his nose" - whoa!). Connie's boss (Jameson Thomas) is a smooth-talking playboy bachelor with an eye for a shapely ankle; believing that a woman with ankles like hers shouldn't be hiding them under an office desk, he has already made an offer to her to be set up in a Park Avenue Apartment (and we all know what that means!), which Connie has turned down 'cause 1. she's a good girl. and 2. she's in love with Tom. But when Tom dumps her to marry Vivian, Connie decides to accept the offer! Life after marriage to Viv: - - Vivian decides her man isn't providing for her needs well enough - she wants a fancier wardrobe (she's tired of being dressed like a "shop girl") and a limousine. Against Tom's wishes, she goes to the office to ask his boss for a raise for her man - and, well, she's got shapely ankles too, so the boss not only offers a raise, but a promotion for Tom - which will mean Tom taking lots of trips out-of-town and "private" get-togethers with sexy Vivian. Vivian is all for it. But Tom is soon onto what his wife is up to, and old girlfriend Connie (who still loves him and doesn't want him to get hurt) tries to protect him from finding wifey Viv in a tryst with the boss.

Review - This film is a really fun watch - lots of pre-code dialogue and sexual innuendo flying about through the entire film. I really, really liked Betty Bronson, who plays Vivian, in this film. Wow - perfection in this part, just a real well done, memorable performance - she's a super cutie. By the way, lots of cute outfits to look at in this (yeah, I like clothes a lot!). And another by the way - if what you see in films was actually real then Park Avenue must have once been absolutely loaded with ladies being "kept" as it seems like I've seen an awful lot of films lately with women being set up in Park Avenue apartments! Just a real good film all around - a treat to see. Rating - 9 to 9.5/10 stars

Only the Brave (1930) Film Review - Gary Cooper

Plot Summary - Civil War drama starring Gary Cooper as a Union captain who risks getting caught for desertion by leaving camp for 24 hours to visit his beloved, only to find her in the arms of another man. Bummed out on his return (and caught, by the way, though his punishment is not out-there harsh), he offers himself up to take a pal's place as a Union spy, which involves getting caught on purpose carrying fake dispatch papers, which will likely lead to sure execution by the Confederate army. Soon he's arrived at a Southern plantation full of Belles and Confederate soldiers indulging in dancing and the punch bowl. He makes efforts to get caught as a spy, but everything he tries - dropping his Union medal, refusing to participate in a toast, attempting to get caught in an office rifling through papers - fails! And meanwhile, plantation daughter Barbara (Mary Brian) - an ultra-flirtatious Scarlett O'Hara type Southern belle who's never been kissed - has been busy from his arrival trying to seduce him with her wiles. He ends up in her room at one point, where Barbara realizes he's a spy - but she's fallen for the handsome fellow and while he's doing his utmost to get caught by the officers, she's doing her best to keep him from getting caught! Eventually, he is caught and held prisoner despite her efforts, guarded by a grubby Confederate sentry who rambles on about what terrible creatures women are - when his guard leaves him alone to fetch himself some brandy, Barbara arrives and is caught kissing him. Will anyone be able to save the day for our man before he ends up facing the firing squad?

Review - I thought this was a pretty decent film - I normally enjoy Civil War era films, this one has a touch of humor in it to help spice it up. I liked the performance that Mary Brian gives here, with her cute Southern drawl. Gary Cooper is his tall, handsome, softly spoken self - always good. I actually didn't really think this film was as funny as some in the theater screening at Cinecon 45 seemed to think - I was quite amused by the loquacious sentry though. Not completely related to this particular film - - but hmm, I know people say that it's better to see films that are funny with a live audience - and it's true that sometimes I laugh more with an audience than a movie at home alone - but when I see a film and an audience is laughing hysterically at something that I don't find all so funny, it can just be annoying. A case in point, some action film with Eddie Murphy I saw in the early 80s (back when I saw ALL the new movies in a theater) and the audience was howling over car crash scenes and I was just left cold wondering why they thought it was funny. Excuse the ramble. Rating - 7.5 to 8/10 stars

Thanks for Everything (1938) Film Review - Cinecon 45 Screening

Plot Summary - POSSIBLE SPOILERS AHEAD - - Henry Smith (Jack Haley) of Plainville, Missouri is declared the "Most Average Man in America" after winning a radio contest (sponsored by Puff Cigarettes) asking 100 poll questions. He becomes a hometown hero and starts to spend his $25,000 cash prize even before he's gone to NYC to be awarded it on the air. The powers-that-be behind the contest have decided our man would better serve their purposes if they could secretly follow his every move to get the dope on what the Average Man likes. So - they trick him into believing he has been disqualified, then hire him at the station so he can earn money to pay back what he owes back home. Jack Oakie is picked to room with him and take notes for use by research company Guidance, Inc. to make decisions toward what products to market. But Henry is distracted by girl troubles relating to his fiancee back home, and starts doing weird stuff that no average man would actually do (ketchup in his coffee, for one). When an ambassador wants to find out the statistics on whether the average man wants to go to war or not - Guidance, Inc. is on the job, and use poor Henry as the guinea pig. They get him sick via a poison ivy branch massage, then while he's bedridden and recovering they trick him with fake radio broadcasts and trick bombs outside the window to make him believe that War has started! When he finally races off to enlist, he's rounded up into the nut house where straitjackets are the norm.

Review - Okay, this felt like a B-comedy with a few songs - silly fun, nothing great, but mildly pleasant enough. However, the gist of the story revolves around men treating another man (our main character) badly, which just doesn't really make the film that endearing even if things do work out for him in the end - making him think he's lost his prize, infecting him with poison ivy, tricking him to think there's a War, all for the sake of their own profits - um, not so nice. Tony Martin appears singing the title song in this. I'm not sure how I really feel about Jack Haley carrying a whole movie - the actress who plays his girlfriend is out there forgettable. There are lots of thirties character actors to see in this, Charles Lane for one. A nice looking print, screened at Cinecon 45. Rating - 6.5 to 7/10 stars

Easy Living (1937) Film Review - Jean Arthur

Plot Summary - Screwball comedy starring Jean Arthur as Mary Smith, NYC working girl who ends up with a sable coat on top of her head as she rides the upper section of a double-decker bus as it drives by a penthouse where wealthy banker J.B. Ball - aka "The Bull of Broad Street" - has just tossed the coat out the window 'cause his wife spent 58,000 bucks for new fur (and boy is her closet full of it!). When Mary tries to locate the owner of the coat, she finds Ball and he not only tells her she can keep the coat but takes her to a shop to buy her a fancy new hat to replace the now feather-damaged one she is wearing - lucky girl. Now here's something weird - when she arrives at her job at a boy's magazine (where works a slew of old bitties) sporting the new fur hat and coat, she is fired, seemingly 'cause she took presents from some man! Meanwhile, the hat shopkeeper has come to the wrong conclusion and let's the world know that the famous banker Ball is keeping Mary Smith as a mistress. She is found and offered luxurious rooms (gotta love that tub!) at the floundering Hotel Louis to help bring in new business (and given a real break on the price - $7 a week, plus daily breakfast). With not much more than a nickel to her name though, she heads to a local Automat where the good-looking busboy (Ray Milland) - who, coincidentally happens to be the rich son of Ball, working in an effort to prove to dad he can be a success on his own - sneaks her some free food, gets caught by security, and fired. A fight breaks out in the Automat leading to the food compartments to all fly open with free food for the taking - oddly causing the (hungry?) masses to run wild and food to start flying! While she continues to be be given gifts like gowns as Ball's mistress, romance sparks between her and young Ball.

Review - Smart and stylish, with screenplay by Preston Sturges (yes, I'm a fan) this film is quite funny - with some slapstick, that really great Automat scene, and other humorous stuff that made me laugh out loud. Wonderful Jean Arthur is one of my favorite actresses from the thirties/forties - she is perfect for this role. Okay - Edward Arnold as J.B. Ball is absolutely great in this film - loud, aggressive, straight talking, really funny. Of course, I always enjoy seeing character comic actor Franklin Pangborn, who plays the hat shopkeeper, on screen. Ray Milland doesn't appear in this film perhaps as much as I'd like, but his charm is still showing. Now where can I go to one of those thirties Automat's - I wonder if there is still one in existence - hmm, here's an interesting site about an Automat history book.

Rating - 9/10 stars

The Miracle Man (1932) Film Review - Cinecon 45 Screening

Plot Summary - POSSIBLE SPOILERS AHEAD - - Pre-code drama about four con artists who join forces to pull con games on the streets to get people to hand over their money - John Madison (Chester Morris), his girlfriend/bad girl Helen (Sylvia Sidney), wisecracking, deadpan Harry (Ned Sparks), and The Frog (John Wray), who twists his body up Lon Chaney style to pose as a leg-dragging, deformed cripple. John must get out of town after pushing Boris Karloff over a stairwell - soon he's arrived in the small town of Meadville (reminded me of Peyton Place), where dwells "the Patriarch" (Hobart Bosworth), a faith healer with many local followers, especially the owner of the hotel where John has checked in. John makes plans for an elaborate scheme to rook dough out of the believers - and recruits his con gang to come to town to help pull it off. Helen arrives in town posing as the Patriarch's long unseen, innocent "grand-niece" (to pull off the deception she has to wipe off her heavy makeup, and boyfriend John says "now you look like you've never even seen a gin bottle" - hehe). She easily fools the Godly old Patriarch and moves in with him. Ned Sparks arrives sporting a fake cough - and The Frog drags himself to town too, both of them with plans to be "healed" by the Patriarch, then get money out of the suckers for a fake chapel. But when they arrive before the Patriarch to be healed, others arrive too - with real ailments - and a wheelchair-bound woman as well as a crippled little boy are both actually healed. Some of the con quartet begin to gradually become charmed by the town, the people, and the spirit of the Patriarch and change their evil ways.

Review - This is an excellent, moving film - it is set in a nice, small town, peaceful setting and was shown with a very good-looking print. I think Hobart Bosworth had some fun with his hoked-up part - I love him! Sylvia Sidney gives a very well done, memorable performance here - her face is so expressive. Robert Coogan, slightly plumpish younger brother of Jackie Coogan, plays the crippled lad - he's okay, though lacks the real charm that Jackie displayed on-screen. John Wray as The Frog - great job. Ned Sparks - gotta love him! Rating - 9/10 stars

The Good Companions (1933) Film Review - Jessie Matthews

Plot Summary - Early British talkie about three characters from different areas of England and walks of life, plus a theatrical troupe who all end up together in the Midlands small town of Rawsley. Older man, Mr. Oakroyd (Edmund Gwenn), just sacked, leaves his family (who want to take in a boarder) and hits the road heading south. Bespectacled spinster-looking Miss Elizabeth Trant - father recently deceased and she left with a pound a week income is being pushed to become a companion to earn her living. She decides, instead, to blow her income, and takes off for an adventure to parts unknown. The third is Inigo (John Gielgud), young master at a school for "sons of gentlemen", who is caught poking fun at an old bitty who runs the school (she likes to serve the staff Sheperd's Pie and prunes). He is asked to resign, so off he goes on his own adventure. The three each run into a character or two while on their individual road trips - a banjo player, a runaway husband and mistress, and a couple of crooks. Soon all three have ended up in the same spot - Rawsley, where they meet up and immediately bond with "the Dinky Doos" - - a broken-down troupe of entertainers who have been stranded in Rawsley without funds. Miss Trant hits upon an idea - use the rest of her money to back the troupe for ten weeks. Luckily, our Inigo happens to be an amateur song-writer/pianist and is given a job with the troupe, and Mr. Oakroyd is also assigned to do "odd jobs". Soon the lot of them are on the road, with the troupe re-dubbed (good troupers one and all) "The Good Companions". Inigo and pretty girl singer Susie Dean (Jessie Matthews) fight, therefore you know they'll soon be sparking - meanwhile, with ambitions to become a "star", Susie asks him to write her a song. Success for both could soon be on the way!!

Review - Entertaining, pleasantly humorous tale, based on a successful stage play by J.B. Priestley. I watched this as a fan of Jessie Matthews - she's very cute and charming, as usual - her part in this film doesn't really get going until the second half of the film, then she pretty much becomes the starring role, dancing and singing a few songs too. I did found the accents (for a few of the characters) hard to understand, but a mild problem at that. Sir John Gielgud is SO young in this, barely recognizable from his films made during his later years, like "Arthur (1981)". Rating - 8.5/10 stars

Page Miss Glory (1935) Film Review - Marion Davies

Plot Summary - Comedy in which a small-town, innocent girl named Loretta (Marion Davies) - dowdy in unflattering clothing, sensible shoes, little make-up, and a hat the completely covers her hair - arrives in NYC, her first trip to the big city. She gets herself hired on as chambermaid at a fancy hotel, the "Park Regis", and is soon cleaning rooms with her new sidekick, chambermaid Betty (Patsy Kelly). Soon the two are seen cleaning up the rooms of a couple of "floor crashers", con men Click (Pat O'Brien) and Ed (Frank McHugh), who are four weeks past due on their hotel bill and have been asked to vacate. Hearing of a radio beauty contest with a $2,500 cash prize being awarded for a photo of the "most beautiful girl", the two con-men go into their dark room and create a fake "composite" photo to submit. The photo of the girl who only exists in a photo "Dawn Glory" wins the contest. But now they are being chased down by the press, and various advertising sponsors who want to meet Miss Glory. Meanwhile, Loretta has developed a big schoolgirl style crush on world famous aviator, Bingo Nelson (Dick Powell), a rather dizzy (too many loop-the-loops, I guess), but good-looking flyboy. He arrives to stay at the Park Regis and falls in love with Dawn Glory's photo (while Loretta meets her dream man in person and swoons over him). Soon our flyboy has made an on the air proposal of marriage to Miss Glory (silly fellow) and Click and Ed recruit the maid Loretta to accept him over the air. Now here's the weird part - Loretta puts on a dress made to look like Miss Glory's in her poster, gets herself a "Dawn Glory" bob (the latest rage) and looks so much like the fake photo, she is recruited to play the part!

Review - Cute film, lots of silly fun. I love Marion Davies, she's SO funny and charming in this - and she really lets her hair down by appearing on screen for half the film in a maid's outfit, and dumpy appearance. Dick Powell is good in his part as the ditz aviator - they seem like a perfect match, actually. A number of well known character actors from the thirties also appear in this film - - and hey, Mary Astor is also in this, as the two con men's female sidekick/Ed's girl. Quite an amusing romp. Rating - 8.5/10 stars

Polly of the Circus (1932) Film Review - Marion Davies

Plot Summary - Pre-code melodrama starring Marion Davies as travelling circus girl Polly, "Queen of the Air", a flying trapeze artist who performs fifty feet up - with no net. POSSIBLE SPOILERS AHEAD - - Polly is distressed when the "conservative town" they are currently performing in makes them pin bloomers over her circus posters to cover her tights. While performing she is distracted by an unruly patron who shouts something about the poster and she falls. Taken to the minister's house across the street, the doctor says she can't be moved because of her injuries, so she must stay on until recovered. Well, as it happens, John Hartley the minister (Clark Gable) is young, very handsome, and not opposed to marriage. Two months later, Polly is still there, barely in need of a wheelchair, now reading the bible and in pursuit of our young reverend - and a romance blossoms between the two. Troubles come when the local Bishop (C. Aubrey Smith), who also happens to be John's uncle, reveals he thinks Polly unsuitable to be a minister's wife and that she will ruin him - he proclaims his nephew will lose his church if they marry. They do get married, then have to struggle for money as our minister loses his church and can't find another one. He ends up taking a low-pay job selling bibles, and won't let Polly help by returning to her circus job. Polly thinks of desperate measures in order to get her man back into the church!

Review - This is an entertaining film, though I didn't see a lot of chemistry between Davies and Gable. There are interesting scenes of circus life in the earlier part of the film what with all the clowns, bearded lady, giant elephant in pants, and smart-talking circus dwarf as played by "Little Billy" - not to mention flying trapeze act, my favorite part of any circus. There is a quite funny side character in this in the form of the minister's really crotchety manservant, played by Raymond Hatton. I was thinking while watching this that it would have been good as a silent film (and it actually was done as a silent, starring Mae Marsh). Rating - 8/10 stars

Blondie of the Follies (1932) Film Review - Marion Davies

Plot Summary - Precode comedy/soap opera/love triangle starring Marion Davies as Blondie, NYC uptown tenement gal whose best gal pal Lottie (Billie Dove) gets a job in the Follies and has soon gone Park Avenue, wearing silver fox furs and very slinky robes (that seem just on the edge of popping open!) - apparently she's being kept by millionaire playboy Larry Belmont (Robert Montgomery). When Blondie goes to visit Lottie at her fancy Park Avenue digs, she meets handsome Larry and they hit it off, much to Lottie's distress. Soon Blondie is out on the town with Larry, getting drunk at a speakeasy, and worrying her family by staying out until dawn without phoning! Dad is mad. Larry thinks "she's cute", Blondie thinks the same about Larry (and me too!). But when Lottie declares her love for Larry, she also declares him hands off - Blondie, a good girl, backs off immediately. But that doesn't stop her from meeting her own older "sugar daddy", joining the Follies, and getting set up in her own Park Avenue apartment.

Review - This is a fun to watch, very entertaining film. The movie starts right off the bat with a rolling on the floor cat fight between Blondie and Lottie (they DO fight a lot, then make up throughout the film). Robert Montgomery is his usual charm boy self - I'm crazy for that handsome fellow!! Marion Davies is quite funny, her big blue eyes full of expression in this film. And - the two of them have loads of chemistry together, I must say. Fun party scene with Jimmy Durante as himself and Marion doing a spot-on imitation of Greta Garbo in "Grand Hotel (1932)". Zasu Pitts also appears in this film, as Blondie's sister (rather a small part, unfortunately). Nice looking print as screened on TCM. I liked this one a lot. Rating - 9 to 9.5/10 stars

American Madness (1932) Film Review - Frank Capra

Plot Summary - Expertly done precode melodrama, directed by Frank Capra. At the Union National Bank, the board of directors want a merger so they can get bank president Tom Dickson (Walter Huston) out of controlling the bank - seems they think he has been giving out "idiotic loans" and is way too liberal with the bank's money. Dickson refuses to go ahead with the merger and insists his way - the belief in "faith" and trust - is the right way. Now Dickson is shown from the start to be a very likable guy, loved by all his employees as he seems to personally greet each one individually on his arrival. Meanwhile, a bank employee named Cluett is being hounded by evil loan sharks for a gambling debt - and they push him into helping them rob the bank! Hmm, this guy's a real winner (not!) - in addition to his gambling problems he is also a ladies man currently trying to seduce Dickson's rather neglected wife - and their "love-making" is witnessed by bank clerk Matt Brown (Pat O'Brien) who decides to visit Cluett and try to straighten out this mess the same night as the bank is robbed. Gossip girls on switchboard start a rumor the next day which leads to a big bank run! Chaos - madness!

Review - This film is quite a good one, parts reminiscent of the film "It's a Wonderful Life" (particularly the ending). The film mostly takes place inside the gorgeous art deco bank interior - there is no background music in the film, the style is stage play like. Walter Huston gives a really nice, appealing performance here as Dickson. Pat O'Brien has a rather small part, really. The main blondie switchboard operator (she of the high-pitched squeal) featured here and there briefly throughout the film is quite funny - actor Sterling Holloway is also seen a few times here and there as a bank worker - pretty amusing too. Well done. Rating - 9/10 stars

Platinum Blonde (1931) Film Review - Jean Harlow

Plot Summary - Frank Capra directed, pre-code melodrama. Wisecracking newspaper reporter, Stewart "Stew" Smith (Robert Williams), is sent to the mansion of the wealthy, society Schuyler family to get the scoop on a breach-of-promise suit by a Follies girl against the family son. Settled for 10,000 bucks, but the girl in question retains some incriminating letters - the family attempts to bribe our newsman to hold back the story, but he won't bite. Somehow our reporter has gotten ahold of the letters (did I miss something?) and brings them over the next day, handing them over to the daughter, Anne Schuyler (Jean Harlow), who happens to be a platinum blonde beauty. They hit it off over tea and before you know it - this odd couple have eloped! Anne has ideas about turning her new hubby into a "gentleman". Stew wants his new wife to move into his flat - but she would prefer him to quit his 75 buck a week job and move in with her to live in the left wing of the mansion. Well, he's soon tucked in his room in the left wing with silk PJ's and his own valet, his fellow reporters start to call him "Cinderella Man", and he don't like it!! Forced into white tie and tails to attend society parties, he still retains a friendship with co-worker Gallagher, who the wife thinks is a male, but actually is a very beautiful young lady (Loretta Young) who happens to be in love with Stew! Stew's really the "spaghetti party" type of fellow anyway, how long will he stand for all this?!

Review - This seems to be a tale promoting a guy to just be a regular fellow rather than fall for that high society stuff. Predictable, but still entertaining - my one gripe is that I see little chemistry from the get-go between Jean Harlow's character and Stew the reporter. I love Jean Harlow, but it was hard to see her as being right in this society girl role. Interesting shot taken through the flowing water of a fountain, done in one scene. Rating - 8/10 stars

One Sunday Afternoon (1933) Film Review - Gary Cooper

Plot Summary - Pre-code film starring Gary Cooper. On a Sunday afternoon, former rival Hugo Barnstead arrives at dentist Biff Grimes (Cooper) dental office to have a tooth pulled and Biff has ideas about "getting even" with Hugo (um - by gassing him to death!), who Biff believes once stole his girl. In flashback the story of the rivalry is revealed. The two men meet two gal pals in the park one day, Virginia (Fay Wray) and Amy. Both men are after Virginia, who seems a bit more flashy of the two women - - but cute and sweet Amy once had a childhood crush on Biff and still carries the torch for him. Amy chases after Biff (who is sort of a show-off, lanky bumpkin type - but cute) while Biff and Hugo chase after Virginia - but Hugo (the more successful of the two men) gets Virginia, as they get married by surprise and ride off for their honeymoon. On a lark, Biff asks Amy to marry him that same night (in a sort of warped way of getting even with Virginia, you might say). Marriage and hard feelings to follow.

Review - The film is based on a stage play and helped along by nice outdoor scenes in a quiet-looking, turn-of-the-century small town locale. This film was later remade into a film I have seen and enjoyed quite a few times, "The Strawberry Blonde (1941)" starring Rita Hayworth, Olivia de Havilland and James Cagney. This earlier version is also an excellent film, I very much enjoyed the performance of Frances Fuller as sweet and ever-loving Amy - she sure puts up with a lot from that Biff! Jane Darwell appears fairly briefly as Amy's mother - the print shown on TCM appeared to be edited as the character of Virginia's mother is credited in the titles, yet did not appear in the film (I thought there appeared to be something missing just before the sudden marriage of Hugo and Virginia). Good film. Rating - 9/10 stars

Three Chumps Ahead (1934) Film Review - Thelma Todd, Patsy Kelly

Plot Summary - Hal Roach/MGM Thelma Todd and Patsy Kelly short. POSSIBLE SPOILERS - - Thelma is in love - with Archie, a man with millions and yachts or so says he. Invited to the girl's apartment, Thelma dresses up and attempts to entertain Archie - he wants to just stay in (tired out from nightclubs, says he). He relates stories of his world travels while Patsy, who suspects he isn't who he says he is (good to have a gal pal that's bright and looks out for you, isn't it?!), wears her slippers (much to Thelma's distress), loudly cracks nuts, then prepares sandwiches in the kitchen fully loaded up with Limburger cheese. To occupy Patsy and get her out of the way, Archie phones up his brother (home on leave from the Navy and currently gambling in a local bar) and invites him over. Soon Archie sneaks Thelma away to a tavern to try and make his move on her - Patsy is too smart and they end up there too. Then Patsy, realizing the men don't have much cash (the men have secretly agreed with each other to one beer apiece), orders up a whole mess of food hoping the guys get beat up and thrown out by the big, mean, pug-faced waiter. It backfires, and in a scene that reminded me of that "I Love Lucy" where the girls end up washing dishes when the boys won't pay (Lucy and Ethel push for "equal rights" episode) - Thelma and Patsy end up, yeah, washing the dishes!!

Review - Okay, this episode had a touch of not so funny slapstick, but did have some cute interaction between the two gals. The restaurant half of the short I found to be more amusing than the first half. The short features recognizable Hal Roach studios music in the background (same used in "Our Gang" and "Laurel and Hardy" shorts). Okay - why is there always some convenient Limburger around in thirties comedies, readily available for comic shtick (if it smells that bad, why do the people keep it around I always wonder?!) I'm not sure about the meaning behind the title of this short as it relates to the plot!! Rating - 6.5 to 7/10 stars

Ruggles of Red Gap (1935) Film Review - Charles Laughton

Plot Summary - Thirties comedy which begins in Paris, 1908, where an English valet named Ruggles (Charles Laughton) is won in a game of draw power by an American cowboy millionaire from a wild west town called Red Gap, Washington. Leaving his job as valet to a Lord (Roland Young), Ruggles begins his job working for Egbert and Effie Floud (Charles Ruggles and Mary Boland), the wife full of ambitions to turn her hootin' and hollerin' bumpkin hubby (who has a fondness for cowboy hats and tacky checked suits) into a gentleman. Ruggles gives him a makeover - new suit, spats, and a mustache trim, Egbert's soon looking like a swell - but just on the outside. Egbert and Ruggles hit a Paris sidewalk cafe, Egbert switches between calling him "Bill" or "Colonel" and insists Ruggles sit down and join him for a drink. Ruggles is the ultimate gentleman's gentleman and prefers to keep proper master and servant rank. But Egbert don't go for that kind of stuff and continues to treat his manservant like a pal. Soon they all head for Red Gap where the town mistakes Ruggles as a real colonel and family friend, and all the attention goes to Ruggles head. He feels important and decides he wants more from life than just being a servant - so he decides to open a restaurant in Red Gap. And meanwhile he befriends a town widow (Zasu Pitts) while attending a "beer bust" with his employer and she works in service too, could be a nice little romance for our Ruggles!

Review - This is a cute comedy with lots of nice performances. Roland Young is quite amusing as the Lord, Charles Ruggles kind of hoot in this cowboy role (Egbert and Effie come across as sort of the Beverly Hillbillies), and Charles Laughton plays a great English manservant (I like the expressions he gets on his face as the stiff servant while all is chaos around him!). And don't forget, as Ruggles says "Spats make the difference between a man well turned out and a man merely dressed". Good fun. Rating - 8.5/10 stars